“SciFi Art” | USFCAM’s “Open Score” Featured in the Tampa Bay Times

Artists experiment with technology at the USF Contemporary Art Museum with Robert Rauschenberg as their muses.

Artists experiment with technology at the USF Contemporary Art Museum with Robert Rauschenberg as their muses.

By Leonel Peon | IRA Intern | USF Freshman

The Tampa Bay Times recently featured a review of USFCAM’s current exhibition Open Score  in their Lattitudes weekend section. Seasoned arts writer Lennie Bennett called the new show “techno art with an sense of humor.” In the feature, Bennett describes her experience with each of the eight different interactive installations found in the new exhibition, which runs through March 9th at USFCAM. Bennett explores the different perspectives and visions for each work and how these culturally diverse artists pay homage to the late Robert Rauschenberg.

Here’s an excerpt from the story:

“Thoughtful” and “entertaining” are adjectives we usually read in reviews of good movies, plays and books. Rarely are they paired in discussions of art exhibitions. But they are the most appropriate and succinct words to describe “Open Score,” a new show at the University of South Florida Contemporary Art Museum. And in some instances, we can add “fun,” which is really not an artcritic word. “Open Score” is at heart cerebral, a technologically based collection of eight installations by a globally diverse group of artists: three Cubans, two Colombians, one Argentinian, one Australian, two Canadians and one American. All were part of a larger exhibition, also titled “Open Score,” that was in the vast 11th Havana Biennial in 2012. It was curated by Luis Gomez and Dannys Montes de Oca Moreda. Noel Smith, CAM’s curator of Latin American and Caribbean art, edited down the larger exhibition to one that could inhabit the museum’s galleries.”

Online version: Review: Show at USF Contemporary Art Museum celebrates Rauschenberg’s vision

Download Full Story PDF>>>

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Open Score | Student View Series

By Leonel Peon | IRA Intern | USF Freshman

The most interactive exhibition yet, Open Score features a collection of artwork straight out of a science fiction movie. Artists Ingrid Bachman, Luis Gómez, and Bill Vorn bring their inventions to life using technologies like sonar devices, video projections, and artificial intelligence. Unlike any other exhibition I have seen before, Open Score has a strong emphasis on the art of technology and introduces a new interaction between the viewer and the art pieces itself. I found myself going back and back again to the same piece trying to decipher the meaning behind it.

Mariano Sardón’s “Libros de Arena” was an art piece in particular that took me a while to wrap my head around. At first sight the “Book of Sands” appears to be a glass bucket filled with sand until one places their hand over the sand and a whole new fragment of the art puzzle is discovered. Projecting hypertext taken from the Web in relation to the movement of the visitor’s hands, the “Book of Sands” is a great example of the interactive process and ingenuity Open Score utilizes.

From “Hysterical Machines” that detect and react to the presence of viewers in the gallery, to a typewriter that must be hand cranked to generate a print, Open Score is truly a collaborative effort between the artwork and the guests themselves. Stimulating, original, and inspirational, Open Score brings the unnoticed motif of technology to the forefront in a beautiful way that I have never experienced before.

If you want more of Open Score check out our online brochure here>>>

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Putting it Together | Installing “Open Score” at USFCAM

We are hard at work preparing for the Open Score exhibition opening THIS FRIDAY! We hope you are all as excited as we are to engage with this highly interactive show. So interactive, that we even have an Art Thursday ‘video arcade’ event planned. We hope you’ll make it to the opening, or an Art Thursday event, before the show closes in March. We’ve posted a few photos to give you a quick peek inside the gallery. Check them out below along with details of upcoming events!

Mariano Sardon preparing for the

Mariano Sardon preparing for the Open Score exhibition at USFCAM

About Open Score
Open Score pays homage to artist Robert Rauschenberg and the first in the series of groundbreaking performance art presentations he titled 9 Evenings: Theatre and Engineering, held in 1966 at the Armory in New York City. With its emphasis on the technological aspects of new media, Open Score examines the possibilities these technologies offer as tools for the poetic transformation of reality and the approach to forms of expression in art and daily life. Participating artists include Ingrid Bachmann and Bill Vorn (Canada); Patricia Clark and Barry Moon (USA); Luis Gómez, Antonio Gómez Margolles, and Levi Orta (Cuba); Camilo Martínez and Gabriel Zea (Colombia); and Mariano Sardón (Argentina). Initially curated by Luis Gómez and Dannys Montes de Oca for the 11th Biennial in Havana, Cuba, the Open Score project in the USA is curated by Noel Smith, IRA Curator of Latin American and Caribbean Art, in collaboration with Gómez and Montes de Oca, and is organized by USFCAM.

Download Invite pdf | Download Press Release pdf

Gabriel Zea and Camilo Martinez preparing for the

Gabriel Zea and Camilo Martinez preparing work for the exhibition

Save the Dates!

Opening Night | January 18, 2013
A Conversation with the Curator and Artists
6pm, Barness Recital Hall
MUS107, USF School of Music
Join curator Noel Smith and artists from Open Score for a conversation about the exhibition and their work.

Opening Reception
7–9pm, USFCAM
Join us to celebrate the exhibition opening with the artists and curator.

Curator’s Tour | February 28, 2013
12pm, USFCAM
Visit CAM on your lunch break for a free guided tour of Open Score with IRA Curator Noel Smith.

Art Thursdays | February 7 & March 7, 2013
SYCOM – Music for Open Score | February 7
6–8pm, USFCAM
Join us for a two-hour concert of live and recorded electronic music created in response to the exhibition Open Score. Working in groups, SYCOM student composers create an audio environment for viewing the art that inspired it. Refreshments provided.

Art Thursdays| Video Arcade: Open Score | March 7
6–8pm, USFCAM

Join us for art games and an outdoor screening of Robert Rauschenberg’s famous 1966 documented video performance Open Score. Free popcorn and candy provided!

Exhibition Hours: 10am–5pm M–F; 1–4pm Sat; Closed Sundays and USF Holidays; Free admission to all events

Patricia Clark and Barry Moon preparing for the

Patricia Clark and Barry Moon preparing for the Open Score exhibition at USFCAM

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Opening Soon at USFCAM | “Open Score”

Open Score opens January 18th at USFCAM

“Open Score” opens January 18th at USFCAM

Our The Andy Warhol Legacy Project and The Importance of Being Photographed exhibitions are now over. If you didn’t get to the gallery for it, well you’ve missed a once in a lifetime opportunity to see all that great work installed at USFCAM.

So listen, instead of feeling sorry for yourself, get out your calendar and make a plan so you don’t miss another groundbreaking show, Open Score! We have events planned that you won’t want to miss, including a video arcade, nights of music, and informative tours that will make you an expert on Robert Rauschenberg and performance art!

Scroll down for the dates and times for all the planned events. And here’s a bit more information about the upcoming USFCAM Open Score exhibition:

Open Score
January 18 – March 9, 2013
USF Contemporary Art Museum

Open Score pays homage to artist Robert Rauschenberg and the first in the series of groundbreaking performance art presentations he titled 9 Evenings: Theatre and Engineering, held in 1966 at the Armory in New York City. With its emphasis on the technological aspects of new media, Open Score examines the possibilities these technologies offer as tools for the poetic transformation of reality and the approach to forms of expression in art and daily life. Participating artists include Ingrid Bachmann and Bill Vorn (Canada); Patricia Clark and Barry Moon (USA); Luis Gómez, Antonio Gómez Margolles, and Levi Orta (Cuba); Camilo Martínez and Gabriel Zea (Colombia); and Mariano Sardón (Argentina). Initially curated by Luis Gómez and Dannys Montes de Oca for the 11th Biennial in Havana, Cuba, the Open Score project in the USA is curated by Noel Smith, IRA Curator of Latin American and Caribbean Art, in collaboration with Gómez and Montes de Oca, and is organized by USFCAM.

Save the Dates!

    Opening Night | January 18, 2013
    A Conversation with the Curator and Artists
    6pm, Barness Recital Hall
    MUS107, USF School of Music
    Join curator Noel Smith and artists from Open Score for a conversation about the exhibition and their work.

    Opening Reception
    7–9pm, USFCAM
    Join us to celebrate the exhibition opening with the artists and curator.

    Curator’s Tour | February 28, 2013
    12pm, USFCAM
    Visit CAM on your lunch break for a free guided tour of Open Score with IRA Curator Noel Smith.

    Art Thursdays | February 7 & March 7, 2013
    SYCOM – Music for Open Score | February 7
    6–8pm, USFCAM
    Join us for a two-hour concert of live and recorded electronic music created in response to the exhibition Open Score. Working in groups, SYCOM student composers create an audio environment for viewing the art that inspired it. Refreshments provided.

    Video Arcade: Open Score | March 7
    6–8pm, USFCAM
    Join us for art games and an outdoor screening of Robert Rauschenberg’s famous 1966 documented video performance Open Score. Free popcorn and candy provided!

Exhibition Hours: 10am–5pm M–F; 1–4pm Sat; Closed Sundays and USF Holidays; Free admission to all events

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The Art of Photography | Student View Series

“Andy Warhol” (1973) by Jack Mitchell

By Leonel Peon | IRA Intern

“A good picture is one that’s in focus and of a famous person doing something unfamous.” These are the words from a creative genius that has become a legend not only within the photographic community, but the art world as a whole. Andy Warhol, or the Prince of Pop as some call him, revolutionized the art scene  as a sculptor, a commercial illustrator, an exhibition curator, and a filmmaker. Warhol’s experimentation through the different media is what makes him such an influential figure in the eyes of an admirer like myself. But it’s not just his work as an artist that inspires me, but the message of finding true simplicity in everyday life as well.

Through his photography, Warhol was able to capture what it would take most photographers an entire lifetime to accomplish. He was able to portray the emotions and uniformity of his subjects through his photographs in such a way that photographers only yearn to learn Warhol’s techniques. Examples of this can be seen at the Andy Warhol Legacy Project exhibition in the USF Contemporary Art Museum where over 150 Polaroids and silver gelatin prints are displayed. Gifted to the museum  in 2008 from the Andy Warhol Foundation for Visual Arts, the Polaroids include a variety of settings and themes that caught the attention of Andy throughout the years including the snapshots of many celebrated figures, outside scenes, and the contemporary night life.

Andy Warhol, Unidentified Woman #23 (Blonde Hair and Dog), 1986. © The Andy Warhol Foundation for the Visual Arts, Inc.; University of South Florida Collection, Gift of the Andy Warhol Foundation for the Visual Arts, Inc., The Andy Warhol Photographic Legacy Program

Warhol’s photographs were able to grasp society and portray its most complex behaviors of human beings into one, single irreproducible snapshot. His photographs were not only able to channel this through the simplest medium possible, but it also demonstrates Andy’s obsessive desire to document human behavior and show all its glory. The Polaroids only add to Andy’s incredible feat of making the simple become famous and was able to accomplish all of this through the single click of a shutter button.

Only a few steps away from the Andy Warhol exhibition lies “The Importance of Being Photographed”; an exhibition hosting a range of contemporary photographs from several different artists including Tina Barney, Jason Lazarus, and Alec Soth. Their works explore a wide range of captivating issues like ethnicity, social class and identity, as well as sexuality and sensuality. And the Contemporary Art Museum’s layout of these pieces are perfectly placed to make it feasible for students and adults alike to perceive these issues and provoke the mind with curiosity and wonder of what cultural message each image conveys.

One photograph that did catch my attention was a work by Jason Lazarus titled “Spencer Elden in His Last Year of High School”. To any bystander, the identity of who Spencer Elden is and why he has a self portrait on the wall comes to mind. But for those who do not know who Spencer is, he was the naked baby featured on the album cover of the 1991 Nirvana CD titled “Nevermind”. Jason Lazarus does a phenomenal job by addressing these perpetually obscure questions that viewers like myself have had for years like; “I wonder how the kid on the Nirvana album looks like now?” or “who was that kid and why was he naked in a swimming pool?” Jason’s work as a photographer take on a different perspective of what it means to make art and be an artist as well. He is able to combine reality with pop culture to create mesmerizing photographs that express different ideas within each of his images.

“Spencer Elden in His Last Year of High School” (2008) by Jason Lazarus

Whether you’re an art lover or not, both exhibitions at the Contemporary Art Museum capture the inquisitiveness of the human brain and introduce both new and old social problems through the art of photography by accentuating these concepts in a moment frozen in time. I, as a dreamer, a wanderer, and an enthusiast of this new invigorating and inspiring photographic universe, would strongly recommend anyone who is remotely interested in photography to go check it out for themselves.

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Zoe Strauss: Philly Life Through the Lens | Student View Series

By Leonel Peon | IRA Intern

[ Our new intern, Leo, has recently taken an interest in photography. On Monday, he attended the Zoe Strauss lecture for the Kennedy seminar class for the College of Art and Art History and he wrote a bit about the experience. Check it out below! ]

Exploring the Philadelphian identity through street photography, Zoe Strauss’ photos not only capture the diversity and different personalities of Philadelphia, but also provokes inspiration and deep thought through overlooked details of everyday life. Monday night, I got to experience this for myself where Zoe gave to both an audience of fans and students an inside look at her mind-boggling motives and influence for all her previous and ongoing projects.

Zoe Strauss – Street Photographer

Given a camera for her 30th birthday, Zoe Strauss made South Philly the main setting for her work. Zoe’s photographs instill a sense of real life, capturing people and objects as they are skipping the whole preparation process of a photograph. As she said in her lecture, “Every moment is a moment worth photographing.” This quote reflects her works as she is able to grasp simple portraits of average Philadelphian bystanders conveying the message of gender, race, ethnicity, and the perpetual troubles of American society into one photo.

Zoe Strauss is a self-taught photographer. Annually, in a time span of ten years, she showcased her photographs under the I-95 highway in South Philly. Zoe’s unconventional presentation of street art through the integration of public space was a refreshing idea and a reminder to the world that art is all around us and can be as simple as the portrait of your very own neighbor. Zoe has reinvigorated the representation of street art and the conceptual and visionary aspect of street photography.

On her current project, Zoe Strauss tackles the political problems of America by taking photos of disenfranchised voters in Florida. With only about a week here in Florida, she is only beginning to advance through this massive project as she plans to do most of her photography in Sarasota. A quirky and funny, yet absolutely insane Zoe Strauss, has convinced not only myself, but the entire art world that photography can bring the most mundane artifacts of life into the forefront and introduce a fresh approach in doing so. I know I can’t wait to see what this intrepid photographer does next.

If you want more from Zoe Strauss check out her website here >>

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USFCAM on The University Beat

Tune in to WUSF TV and WUSF FM radio for interviews on the current USFCAM exhibitions!

Check us out on the University Beat television and radio report looking at USFCAM’s two current exhibitions: The Andy Warhol Legacy Project and The Importance of Being Photographed. See below for the low-down on the down-low.

When to watch!
WUSF TV | channel 16
Tuesdays: October 22 and November 4
11:55am – noon
8:55pm – 9:00pm [replay]

When to listen!
WUSF Radio | 97.7 FM
Tuesday: October 30
After 6:30 and 8:30am
Thursday: November 1
After 5:40 pm

Also on….
WSMR radio | 89.1 FM
Friday: November 2
7:30 pm

By Leonel Peon

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ART Thursday at USFCAM | The Andy Warhol Halloween Party

Art Thursday at USFCAM | Warhol Halloween Party

By Leonel Peon ~ USF Freshman

The USF Contemporary Art Museum is no stranger to the party scene. As part of CAM’s new event series known as “ART Thursdays”, the Andy Warhol Halloween Party paid homage to one of the most legendary figures in the art world. Students dressed up emulating and celebrating Andy Warhol’s success.

The costumes were wacky, but fun and creative. There was a guy walking around with no pants and even somebody in an entire full body spandex suit. There was a variety of performances ranging from a guy eating Tootsie Rolls representing the art of “consumption” to several dance art performances imitating some of the photography in the art museum.

The party came equipped with its own personal DJ, a piñata filled with candy and condoms, and a special appearance by the Dean of the College of the Arts, Dr. Moy. And you can’t forget about the free food and lemonade selection.

Nevertheless, it was a great turnout, and I’m sure CAM would have made the legend himself proud.

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Our First Director’s Circle Event at the Vault

Margaret Miller delivers her Contemporary Art “Boot Camp” address, part of the 2012-2013 Director’s Circle event series.
The Director’s Circle event series benefits the USF Contemporary Art Museum.

Last night at the Vault in downtown Tampa, we held our first Director’s Circle event. Margaret Miller held the audience captive with her “boot camp” crash lesson on the latest in contemporary art. Margaret discussed artists who will be working – or have recently worked – in residence here at Graphicstudio, and others who will be part of upcoming exhibitions at USF Contemporary Art Museum (USFCAM). A good time was had by all, and we hope this group of actively interested folks will continue to be a part of this vibrant art community.

What is the Director’s Circle?
The Director’s Circle is our primary fund raising effort for USFCAM. Those who belong to the Director’s Circle are part of an exclusive group of art enthusiasts who provide support for exhibitions at USFCAM throughout the year. All Director’s Circle members are VIPs and are invited to special events throughout the year. As a bonus, this year we have added a new tier which includes the opportunity to rent the USFCAM gallery for an event with up to 50 people. Those at this higher level will also receive VIP passes to Art Basel Miami Beach which is good for two guests!

So if you were home bored last night, and dreaming of becoming more involved in the Tampa Bay arts community, consider joining the Director’s Circle! Here are the program details:

Director’s circle silver membership $1000 dual yearly membership
• Complimentary copy of all catalogues published by the IRA
• 10% discount in the CAM shop
• Invitation to all VIP events, including Annual Nucci Award Party
• Invitation to all Director Circle Events (4)
• 1 Private curator led tour

Director’s circle Gold membership $1400 dual yearly membership
• All the above benefits plus…
• 1 Annual rental of CAM or Graphicstudio for a private event for up to 50 people
• 1 Pass to Art Basel Miami Beach — good for two guests

Save the Dates | Director’s Circle VIP Events

Thursday, November 8
7:00 p.m.
USFCAM on the USF Tampa Campus
Private Curator Tour of The Andy Warhol Legacy Project and The Importance of Being Photographed

Sunday, February 10
11:00 a.m.
Mickett/Stackhouse Studio, St. Petersburg
Brunch with Mickett/Stackhouse

Saturday, April 13
7:00 p.m.
South Tampa
MFA Graduation Exhibition Home of Stanton Storer

For more information on the 2012–2013 Director’s Circle, please contact Amy Allison at (813) 974-4164 or amyallison@usf.edu

[ More ways to participate ]

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USFCAM Featured on BayNews9 for Warhol Exhibition

Bay News 9 Interviews Jane Simon about the Andy Warhol Legacy Project Exhibition. Segment airs Friday, September 21.

What’s the most exciting thing to happen to television since yesterday? An interview with the director of the USF Institute for Research in Art, Margaret Miller, of course!  Margaret speaks ‘off the cuff’ about the The Andy Warhol Legacy Project exhibition which is on view until December 15, 2012 at USFCAM. You’ll have to watch and see if she’s said anything about the 47% of American’s who don’t love art*! You can catch the conversation on BayNews9 tomorrow morning starting in the “On the Town” segment.

When to Watch!
Friday, September 21 | Starts @5:45am – 4:00pm EST
BayNews9 “On the Town” segment


Dorothy Hamill Poloroid | Andy Warhol | 1977

Dorothy Hamill Poloroid | Andy Warhol | 1977

More about The Andy Warhol Legacy Project…
The Andy Warhol Legacy Project is an exhibition of 106 Polaroids and 50 gelatin silver prints the USF Contemporary Art Museum received in 2008 as a gift from The Andy Warhol Foundation for the Visual Arts, as part of the Andy Warhol Photographic Legacy Program. The portraits, celebrity snapshots, couples, nudes, painting ideas, party photos, still lifes, and outdoor scenes that make up the gift demonstrate the range of Warhol’s interests.

*Not an actual statistic.

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